Details
These 10 books and dvd’s will give you all the basics of music, including the theory, rhythm, melody, chords, harmony, forms, instruments, piano, improvisation and music analysis. The courses are given in a simple and clear language in order to be understood by everyone. An essential collection for beginner and medium levels.
THEORY |
RHYTHM |
MELODY |
CHORDS |
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The stave The notes The accidentals The clefs The values The rests The dot and the slur The triplet The motion The fermata The dynamics The accents The measure Simple and compound measures The syncopation and the offbeat The tones The intervals The scale The other scales The modes The neighbouring tonalities The modulations The abreviations |
Introduction The wole note La half note La quarter note The eighth note The sixteenth note Eighth notes & sixteenth notes The dot and the slur The syncopation The offbeats The triplet and the duet Combination 1 Combination 2 Combination 3 Combination 4 |
Definition The motion 1 The motion 2 Thephases The sentence The ambitus The scales The passing tone The retardation The appoggiatura The neighbouring tone The anticipation The echappée The ornamentation The sequences Melody & rhythm The effect Articulation and phrasing |
Definition Consonances and dissonances Chords of 2 voices Chords of 3 voices Chords of 4 voices : the sixth Chords of 4 voices : the seventh The scales The accidentals The enrichments The inversions The chord positions Chord over bass note Chord over chord Symbols and chord numbering |
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HARMONY |
FORMS |
INSTRUMENTS |
PIANO | |
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Definition The voices The degrees LThe harmonic motions The melodic motions The harmonic frequency Thecadences The chords The 6 and 4 chord The doublings The melodic notes The chord progressions The resolutions The fifth and octave The unison The bad chromatic relation The harmonic syncopation The 3rd of Picardy and nap. 6th The sequences The modulation The sustained notes
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The sections The sonata The lied The rondo La rhapsody The suite The scherzo and minuet The variation The fugue The song Jazz
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The violin The alto The cello The double bass The flute The oboe The english horn The clarinet The bassoon The trumpet The french horn The trombone The tuba The soprano saxophone The alto saxophone The ténor saxophone The baritone saxophone The piano The organ The harpsichord The harp The guitar The xylophone The marimba The vibes The glockenspiel The tubular bells The celesta The timpani The bass drum The snare drum The tambourine The bongos The congas The cymbals The triangle Thegongs and tam tam Thecrotales The wood blocks Thetemple blocks The claves The guirro
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History of the piano Mechanism The writing The scale The arpeggio The values The dot and the slur The dotted eigth note and sixt. note The triplet The rests Themodulation The phrasing The dynamics The compound measure The motion The syncopation The ornaments The chords The pedal
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IMPROVISATION |
ANALYSIS |
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The chords The enrichments The accidentals The inversions The chord positions The modes The other modes Relation scales - major chords Relation scales - minor chords Relation scales - mdominant chords Relation scales - 1/2 dim. chords Relation scales - diminished chords The rhythm The harmonic accompaniment The rhythmic accompaniment The patterns 1 Thepatterns 2 The patterns 3 The theme extrapolation 1 The theme extrapolation 2 The theme extrapolation 3 The theme extrapolation 4 The theme extrapolation 5 The motives 1 The motives 2 The jazz standards 1 The jazz standards 2 The jazz standards 3 |
The structure The tonalities The A theme The bridge The B theme The transition The coda The A theme harmony The bridge harmony The B theme harmony The transition harmony The coda harmony The orchestra Comment on theme A1 Comment on theme A2 Comment on bridge Comment on theme B1 Comment on theme B2 Comment on transition Comment on A1 recap Comment on A2 recap Comment on piano solo Comment on coda1 Comment on coda2
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